kurt rosenwinkel – guitar, electronics
tim motzer – guitar, electronics
gintas janusonis – drums, electronics
Two Guitarists Exploring Together: Tim Motzer and Kurt Rosenwinkel launch Bandit 65 tonight at Underground Art
by Sean Brady
Guitarist Tim Motzer was trying to make his way offstage at a club in Zurich, Switzerland, weaving through a crowd of people after a 2008 gig with hip-hop and spoken word artist Ursula Rucker, when a persistent voice kept calling his name. “Finally, somebody grabbed the back of my shirt,” Motzer recalls.
Motzer turned and found an enthusiastic audience member whom he didn’t immediately recognize, still intent on relaxing backstage. As it turned out, the man complimenting his guitar playing was not just any fan, but jazz guitar great Kurt Rosenwinkel. The two axemen quickly formed a friendship and spent the next several years discussing the possibility of a project together.
Those conversations eventually took them into a Brooklyn studio, where they recorded the self-titled debut of Bandit 65, their new trio with drummer Gintas Janusonis (who was also on that gig in Switzerland). The three will reform for their first ever live show on tonight at Underground Arts with visuals by Motzer’s longtime collaborator, multi-media artist Dejha Ti.
Writing via email, Rosenwinkel calls Bandit 65 “a free improvisational experimental soundscape multidimensional textural psychedelic groove monster… with soul!” That about captures the range of mesmerizing sonic territory covered by the album’s half-dozen lengthy excursions, culled from nearly six hours of music recorded in that one day’s session. The music varies from the album’s most jazz-like track, the fusion haze of opener “Ever the Horizon,” to the dub-accented psychedelic haze of “The Cycle,” through the evocative, sinuous 17-minute “Lost Temple” and the wall of sheer noise that envelopes “Racing the Precipice.”